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Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences entre Europa y América Latina.
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences.
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences , established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences.
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences.
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences.
Protective town of San Miguel de Allende, established in the 16th century, (apogee of Mexican Baroque in the 18th century), because of its location, acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences.
Situated 14 km from San Miguel, the Jesuit sanctuary of Jésus de Nazareth de Atotonilco, (18th century), one of the finest examples of Baroque art and architecture in the New Spain, consists of a large church, and several smaller chapels, decorated with oil paintings by Rodriguez Juárez and mural paintings by Miguel Antonio Martínez de Pocasangre, example of the cultural exchange between European and Latin American cultures.
Situated 14 km from San Miguel, the Jesuit sanctuary of Jésus de Nazareth de Atotonilco, (18th century), one of the finest examples of Baroque art and architecture in the New Spain, consists of a large church, and several smaller chapels, decorated with oil paintings by Rodriguez Juárez and mural paintings by Miguel Antonio Martínez de Pocasangre, example of the cultural exchange between European and Latin American cultures.
Situated 14 km from San Miguel, the Jesuit sanctuary of Jésus de Nazareth de Atotonilco, (18th century), one of the finest examples of Baroque art and architecture in the New Spain, consists of a large church, and several smaller chapels, decorated with oil paintings by Rodriguez Juárez and mural paintings by Miguel Antonio Martínez de Pocasangre, example of the cultural exchange between European and Latin American cultures.
Situated 14 km from San Miguel, the Jesuit sanctuary of Jésus de Nazareth de Atotonilco, (18th century), one of the finest examples of Baroque art and architecture in the New Spain, consists of a large church, and several smaller chapels, decorated with oil paintings by Rodriguez Juárez and mural paintings by Miguel Antonio Martínez de Pocasangre, example of the cultural exchange between European and Latin American cultures.