Mr Burt’s book, "Writings from a Scarlet Aardvark, 15 Articles on Music and Art, 1981-93," was published in 1993 by Frog Peak Music, USA. He contributed an extended essay of commentary to a second book, "Critical Vices: The Myths of Post-Modern Theory", principal author, Nicholas Zurbrugg, which was published in 1999 by Gordon and Breach, New York. Recent CD releases of his work include "39 Dissonant Etudes" (Tall Poppies, Sydney, 1996), and "Recitative-Tracing: On Guns and Cock-Fighting" (on "Winded", Innova, St. Paul, 1998). His electronic composition "La Strega Bianca della Luna II" was selected for inclusion in the 1999 Sonic Circuits International Electronic Music Festival. In 1998 he was an artist-in-residence at the Djerassi Artists Program, California, and he was awarded a 1998-2000 Australia Council Composer's Fellowship. Currently, he is a freelance composer, and has recently founded the Centre for Studies in Experimental Music and Performance, a non-academic institution organizing classes, lectures

His works have been performed and shown in the USA, Australia, Europe and Japan and he has had grants from the Australia Council, the Victorian Ministry for the Arts and the McKnight Foundation (USA), and has been artist in residence with a number of organizations, such as the Commonwealth Scientific Industrial Research Organization, the Los Angeles based art- science think-tank International Synergy, the Broadcast Music Department of ABC Radio, the Monash University Music Department, the RMIT Department of Fine Arts, and the American Composers Forum.

His work with electronic and computer music is recognized internationally, including 1989 performances at Ars Electronica, Linz; and Steirischer Herbst, Graz; and 1994-95 performances and installations in New Zealand, Australia, the USA, and Germany.